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God at Play: Lila in Hindu and Christian Traditions by Daniel Soars, Michelle Voss, Sucharita Adluri, Ankur Barua, Stephen R.L. Clark

• God at Play: Lila in Hindu and Christian Traditions
• Daniel Soars, Michelle Voss, Sucharita Adluri, Ankur Barua, Stephen R.L. Clark
• Page: 320
• Format: pdf, ePub, mobi, fb2
• ISBN: 9781531510091
• Publisher: Fordham University Press

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The first comparative treatment of the topic of līlā in Hindu and Christian traditions, this volume explores what it means to consider divine and human action under the categories of play, wit, drama, grace, and compassion God at Play presents a theological exploration of the multifaceted motif of līlā across diverse Hindu and Christian landscapes and its wide-ranging connections to divine and human creativity. Given its ubiquity in Hindu theologies and life-forms, līlā offers a rich comparative framework for exploring certain ways of understanding divine and human action as expressed in Hindu and Christian sacred texts, philosophical theology, and ritual practices. Though līlā is often interpreted simply as “play,” the essays in this volume reflect a far richer semantic and conceptual field, ranging from spontaneity and gratuitousness, through joy and humor, to mercy and compassion. By focusing on the different contexts in which līlā is found in Hindu traditions and resisting any uniform translation of the term, the contributors to this volume avoid the risk of using predominantly western or Christian categories to understand the Hindu other. The volume thus explores how līlā functions in a variety of distinctive philosophical, theological, and devotional ways across Hindu traditions, and listens for echoes in Christian understandings of the gratuitousness of the created order in relation to God. God at Play is a genuine experiment in deep learning across traditions. Each chapter reflects on what is learned by taking līlā as the category of comparison and invites the reader to think about what these conversations add, confirm, or change in relation to earlier twentieth-century scholarship on play—not least, in terms of what difference it might make to understand human life as an imitation and a participation in the divine life of a playful deity.

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